2016 prizewinner of the FETA Sound Art Prize selected by Master Judgess Annea Lockwood from 28blind submissions from 5 countries in the Americas.
Confessional is a user-driven installation that provides the opportunity for composers to briefly take pleasure in and then (symbolically) destroy one of their dubious creations. This process is accomplished with a computer (running Max or Max Runtime) and a recording provided by the user that is processed live. The audio processing unfolds in stages and mirrors the phases of animal decomposition: fresh, bloat, active decay, advanced decay, and dry remains. Through this series of transformations, the user’s piece transitions from its original state to nearly imperceptible bits of noise. Users may also log this activity into an official registration book, and they may create and take home a frameable certificate commemorating the destruction. Any other way(s) that a user wishes to document the event are encouraged (“selfies,” social media announcements, etc.), and a Facebook page is provided to collect such documentation. For score-based works, implements will be provided to facilitate the physical destruction of scores: paper shredder or scissors for indoor venues, a fire pit or barbecue grill for outdoor venues (if allowed).” MB
Artist's website: Michael Boyd